Fresh Juice

Fresh Juice 25th August 2025

Eve Adams – Get Your Hopes Up

Growing up alternating between the rural farm idyll of Oklahoma and more urban surroundings in Los Angeles, Eve began writing music at a very young age and was already showing considerable emotional depth in her songs by the age of twelve. Her latest release is called ‘American Dust’ and arrives on the Topic label continuing her narrative fuelled folk-noir style with a maturity that seems to be really hitting the heights now. In a recent interview with Uncut Magazine she described her music, which pulls in strong visual art elements too, as “a nice little ouroborus”.

Curtis Harding – There She Goes

This is psychedelic soul par excellence, featuring a deep production resplendent with strings, funky rhythm chops and a far-out fuzz guitar solo, it is clear Curtis’s music is going places other soul stirrers cannot reach. This is a recently released stand alone single marking the mans first new music since the acclaimed 2021 album ‘If Words Were Flowers’. In terms of theme Harding has described the song as a tribute to “the beauty and duality of the ideal woman” but I say it skates pretty damn close to the beauty and duality of the ideal soul track. There is much to love here, including the Twilight Zone essence of this accompanying music video.

The Black Keys – Man On A Mission

While I am thinking about psychedelic soul it is fair to say there is a huge element of that very thing in this new music from the Black Keys, that and their ever present raw blues cut and thrust. This one is from the bands brand new album ‘No Rain No Flowers’ released this month on Easy Eye Sound/Parlophone Records. They remain dependably brilliant on this LP which sees them at times return to the blues-rock sound of their roots and elsewhere turn to other modes such as post-punk, retro soul and then, pushing even farther out from those roots, a touch of eighties style synth action. Always worth checking out.

Laura-Mary Carter – June Gloom

This is one part a forlorn country-style ballad and another part a Lana Del Rey style haunting melodrama. Laura-Mary is previously known as one half of Brighton alt-rockers Blood Red Shoes but after two decades pounding down those souls she is now stepping out solo with a striking shift in tone. Hers is now an Americana adjacent motion with a vivid echo in the production that calls to mind a Spector wall of sound and a Velvet Underground-like ghostly shimmer. If that sounds like an appealing cocktail, which it certainly does for me, then be sure to dig out the solo debut album ‘Bye Bye Jackie’ when it arrives later on in September.

The Onlies – Going Across The Sea

Pronounced the own’-leez, these young yet old-timey folk and bluegrass whizz kids are about to release a brand new album called ‘You Climb The Mountain’. This lively number from a recent live performance may not feature in the tracklist but the live footage offered up does give you an idea of the fire and energy this combo possess in spades. It therefore ensures, despite its old fashioned reference points, this has a vitality definitively proving they belong in the here and now of modern times. The album features a wide panoramic view of the emotive range in the sound, from the slow swinging reflection heard in ‘Roll On Buddy’, a railroad song learned from Aunt Molly Jackson, to the punchy picking on show in a vibrant interpretation of the English song ‘Matty Groves’, it is clear The Onlies are explosive talents rightfully demanding our attention.

Studio Electrophonique – How Can I Love Anyone Else?

I am closing this edition with some dreamy electronica, a song that sounds simultaneously retro and modern, both primitive and grandiose in its lush production. It is a rather forlorn piece but there is a warmth in there too, this piece has a piercing autumnal feel ready made for the next season that is already starting to show its colours. This is the solo project of singer-songwriter James Leesley, one of the most interesting and original musical outfits to emerge from Sheffield’s current independent scene. He says this song “existed for a while as just this little arpeggiated interlude I’d play in between writing other songs, kind of like a thinking tune, but then one night it just turned into this swirling fairground ride of a sequence. The full thing came all at once, as if it was already there — like I’d found some secret waltzer and had a pocket full of tokens. I just kept going round and round until I’d finished the words”. He will release his eponymous debut album on Paris-based label Valley of Eyes Records on September 26th.

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