Deradoorian – A Beautiful Woman

This week’s vintage selection of tunes jumps back exactly ten years this month and re-investigates some of the new music Fruit Tree Records was getting excited about in October 2015. Top of the pile back then was this debut release by a former member of the Dirty Projectors. Working under the solo name Deradoorian, this genre surfing experimental art-rock artist had released her first album ‘The Expanding Flower Planet’ and, just as that title was a self-proclaimed attempt to represent “the expansion of consciousness”, so too did the music display a bold visionary leap into the realms of multi-layered exploration and spiritual open minded release. The hypnotising opening track is performed live here in a stunning video highlighting the artists sense of sonic purpose and clever mix of technology and soul.

John Howard & The Night Mail – Intact & Smiling

It wasn’t all just young sonic space cadets making the most musically satisfying sounds this month a decade ago. I was also thrilled by a new release from the legendary Pretty Things as well as this slice of late (two decades late) period Britpop from John Howard. His career had begun in the seventies with the debut album ‘Kid In A Big World’ on CBS being regarded as a bit of a cult classic. This track from the then new album with the Night Mail was released on Tapete Records and it sat well in the catalogue of a label known for its support of artists crafting intelligent pop and song writing. Having at one time retired from performing, the album was a key part of his second act and he continues to release new music to this day.

Nathaniel Rateliff & The Night Sweats – S.O.B.

The opening pair of tunes this week were top drawer musically but they remained decidedly underground in 2015. This one on the other hand was a major breakthrough for the artist and enjoyed some major exposure on mainstream TV (as seen in this Jools Holland clip here but the big one for Nathaniel in 2015 was probably his Jimmy Fallon performance of the song) as well as numerous commercials and TV shows including ‘Fargo’, ‘Brockmire’ and ‘Two Doors Down’. It also represented a significant shift stylistically for Nathaniel whose previous work had leaned into more of a folk style but here, on his bands full length debut, they grabbed this gospel referencing soulful groove with both hands and ran with it to memorable, shoe-shuffling effect.

Widowspeak – All Yours

This dreamy dose of Americana sounds like a cross between Mazzy Star and The Cranberries which is no bad thing. Widowspeak are a duo comprising Molly Hamilton and Robert Earl Thomas and this was a tune featured on their third album ‘Captured Tracks’ released in 2015 representing a shift in their creative process towards a more organic style of writing and playing. They managed to exude both an intimacy and a grand expressiveness with their sound; the former is clear enough in the emotive manner Molly brings to the reflective lyric but the latter is evident too in the depth of the sound and those echoes of vintage rock ‘n’ roll heard in the sumptuously twanging guitar.

La Luz – You Disappear

It is no surprise upon returning to this track to recognise that La Luz and their main woman Shana Cleveland have become firm Fruit Tree Records favourites over the last ten years. Everything I rate about the bands sound was already on display here, those heavy sunset sonics in the keys and melodies combined with the organic rough edges of their garage band aesthetic. They were also writing some damn fine pop songs which appeared on the second La Luz album ‘Weirdo Shrine’ that year, a record that undoubtedly found the right producer in the shape of 21st century garage rock king Ty Segall. If you haven’t woken up to them already, then just ride the waves of those surf-sounding guitars and let this sensational band take you there.

Timo Lassy – Hip Or Not

It was not just acts with garage band sensibilities summoning up the echoes of sixties vintage music in 2015. This track has all the elements of a funk-infused sixties Blue Note jazz classic waiting to be heard in its grooves. ‘Hip Or Not’ is from the album ‘Love Bullet’ released by the Finnish saxophonist Timo Lassy and whilst it does conjure thoughts of a golden era, it can also claim to possess a timelessness and true class in the production. This was Lassy’s fifth studio album and it was to be a record he regarded as a reaction to a few colourful years of his life, which maybe accounts for the inviting intimacy of the music in tandem with its infectious warm grooving. This one, as have the other selections this week, has been a welcome resurrection and is ripe for rediscovery, so dig in.