Fresh Juice

21st August 2023

Iraina Mancini – What You Doin’

Pulling stylish influences from sixties soul, beat and freakbeat, Iraina is a woman out of time whose love of cool retro sounds goes deep but happily her influences are not so overwhelming that they prevent her from making stonking new sounds of her own. This is no mere pastiche, Mancini is a sought after DJ too and the noise she makes be it as a performer or as a spinner of vinyl nuggets comes from a place that is real. Her debut album ‘Undo the Blue’ is out now on the Needle Mythology label, also purveyors of superior quality vintage finery for discerning 21st century ears; a fine marriage indeed especially for all lovers of brilliant new things that sound and look like old things…

M Ward – Too Young To Die

And further still in the realms of fresh offerings with a pleasing echoes of the past, this is another fine cut from the latest M Ward album ‘Supernatural Thing’, this time a gorgeous floating bubble of a song enhanced by the heavenly vocals of First Aid Kit. Don’t those sisterly harmonies sound like they have been waiting all the while to be layered on the silky, twangy London American sound that Matt has pretty much perfected this past two decades? Absolutely lush…

Queens Of The Stone Age – Negative Space

From the new album ‘In Times New Roman’, there is something reassuringly punchy in this latest piledriver by Josh Homme and his crew. Everything the band has built their reputation on over twenty years is here; crunching electric riffage, pounding rhythm, sky splitting solos and a melodic top line that never takes a dip, this is why Queens Of The Stone Age are arguably one of the only bands who keep Rock alive and relevant in the modern era. This is out and out beautiful carnage, the musical equivalent of Bazball (cricket reference for the non-sporty types) in that is entertains with the kind of aggressive intent that knocks out windows and forces middle lane drivers into the ditch; get out the way because they mean it…

Brigid Mae Power – I Must Have Been Blind

Another sublime tune from the new album ‘Dream From The Deep Well’ which is out now on Fire Records. Brigid, who is often filed under folk although she barely carries a hint of traditional sound, reminds me a little of the great Sandy Denny. Something in the way her music hangs suspended, wholly untroubled by time as her often heavy ballads are bursting with space and air but nevertheless, when she sings you are hypnotised by her words and her voice, it is both unrushed and simultaneously commanding; just let her music lay you down and lift you up…

Rain Parade – Angel Sister

These are the cultish legends of the eighties jingle-jangle Paisley Underground scene out of Los Angeles, a movement that had a big hand in revitalising the music scene’s acceptance of Byrds-like guitars, fuzz tones and sunny harmonious vocals as legitimate sounds in the pop arena. Without them would we have seen The La’s, Beachwood Sparks or The Coral? Well, yes actually we probably would have but the outsider element of a band like The Rain Parade flying proudly against mainstream trends in the early eighties cannot be ignored, they did it better than most back then and continue to today as a reformed act of over ten years by now. Their new album ‘Last Rays Of A Dying Sun’ is out now on online platforms whilst physical formats are available on September 8th…

Shana Cleveland – A Ghost

In her down time from La Luz Shana has made one of the most consistent sounding and reliably satisfying albums of the year. ‘Manzanita’ was issued a few months ago now with this haunting little spook-fest as the opening track, setting the scene for a collection of songs that gel together fantastically well sounding, as they do, like a broadcast direct from the hazy limbo we occupy in those half aware moments between a deep sleep and properly waking up. I sincerely hope that more and more people wake up to this album, it is a sensual piece of work perfect for the wee small hours…

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Fresh Juice

13th March 2023

A half dozen weekly fresh picks of tasty new music

The Faux Faux – Cold Hearted Woman

The Faux Faux is the new solo project of Faith Vern from Manchester trio PINS and this first exposure certainly teases a tantalising sound with strong dramatic echoes of early Portishead. Of the inspirations for this Faith has said  “I’ve always been intrigued by Cindy Sherman, Sylvia Plath, Gregory Crewdson, Virginia Woolf, Nan Goldin to name a few, these writers, poets, photographers, artists, who have shown us the beauty and the desperation in the mundane”.

Feist – Hiding Out In The Open

The music for Leslie Feist’s new album ‘Multitudes’ had been developed and evolved during live shows from late 2021 and through last year. That these songs gestated in such public view may be a surprise when you hear how personal they often are, more so when you realise they were written with both the birth of her daughter and the death of her father in Leslie’s recent past. The end result is a wonderfully intimate and yet eloquently layered affair as heard on ‘Hiding Out In The Open’, which is accompanied by a video that also illustrates the complexity and thought that Feist subtly brings to her work.

Margo Price feat. Sharon Van Etten – Radio

Another top tune from the album ‘Strays’ released on the Lorna Vista label. The great thing about this stylishly retro clip, in which Sharon Van Etten features on a vintage TV set, is how Margo clearly doesn’t take herself so seriously in these films, she has a laugh with the format. Why not? Her music reaches way beyond the Country pigeonhole and does more than enough talking in itself.

Lael Neale – I Am The River

In reference to the Velvet Underground influence of his track ‘Queen Bitch’, David Bowie wrote about “some white light returned with thanks” on the rear sleeve of the ‘Hunky Dory’ LP. In letting that light break out through the cracks he unleashed a source that filtered into brilliant music for the next fifty years and beyond. It can be heard here too, as there is an irresistible Velvets feel in both look and sound to this brand new Lael Neale track, taken from her forthcoming album ‘Star Eaters Delight’, out April 21, 2023 on Sub Pop Records

Shana Cleveland – Walking Through Morning Dew

Another lush track from the ‘Manzanita’ album which is out now on Hardly Art. Shana is best known as the lead guitarist and vocalist for surf rock band La Luz, she was previously a member of The Curious Mystery but here in 2023, the haunting kaleidoscope of sounds and floating melodies on this solo release make it one that is already bursting with album of the year potential

Lankum – Go Dig My Grave

Lankum seem to have struck a satisfying balance with traditional tunes such as this, whereby they can utilise ancient instruments and songs but invest them with so much real world grit and trauma that they sound nothing at all like museum pieces. As the opening track on their new Rough Trade album ‘False Lankum’ this one packs quite the devastating punch. It is a song that dates back to the 17th century and will be familiar to anyone who has taken a passing interest in folk music as, particularly with the 1960’s generation, it was a mainstay in the repertoire but here, Lankum absolutely syringe every last drop of hurt and pain out of the story before burying you in the most mournful, jarring, unsettling, extended conclusions I have heard in a long time. This is powerful beyond words…

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Fresh Juice

30th January 2023

A half dozen weekly fresh picks of tasty new music

Shana Cleveland – Faces In The Firelight

This is a delightfully twilight tinged droplet of soothing psych pop from the La Luz songwriter who happily has successfully come through treatment for breast cancer in 2022. It is the first taste of her forthcoming solo album ‘Manzanita’ on the Hardly Art label.

Spoon – Wild

Still one of the best bands to come out of America this past thirty years, here is a recent TV appearance by Spoon apparently in tandem with their Grammy nomination in the best rock album category for their 2022 LP ‘Lucifer On The Sofa’

Nick Waterhouse – Hide And Seek

Nick Waterhouse is now arguably the premier exponent of that vintage, mid-century modern production sound. It is there in the spacey echoes of the recordings, the surf-like twang of the guitars or the proper production touches added like strings or sweetly sung backing vocals. In this video featuring new 2023 music from Nick he even has the period visual touches down but all of that would count for nothing if he were not writing great songs to wrap his stylings around and happily, he continues to do just that

Melissa Carper – From What I Recall

From the late 2022 album ‘Ramblin’ Soul’ released on Mae Music, this is an authentic dose of real-deal country that is so classic sounding, especially for something so new, that you have to double check it is not actually an old Hank Williams standard or such like. But this is all Melissa Carper and well worth seeking out

First Aid Kit – Out Of My Head

A recent live TV appearance following the welcome return of these singing siblings, taken from latest album ‘Palomino’. As before, they still retain that natural heavenly sound not to mention the happy knack of writing songs that take up residency in your head.

Norah Jones & Marc Rebillet – Everybody Say Goodbye

Norah Jones ‘Playing Along’ podcast involves her chatting and jamming with a musical guest. She is not the most natural conversationalist but she can communicate with pretty much anyone on a musical level. You cannot help but be on Norah’s side, she comes across as refreshingly ego-lite for someone so famous. This particular episode with Marc Rebillet took her the furthest out of her comfort zone, what with him being a master of improvisational funk, layered loops and electronic wizardry. The fascinating thing about the episode was heard in a moment where, much like Paul McCartney composing ‘Get Back’ on the spot in the Peter Jackson movie, the pair stumbled upon something that instantly, for a few golden moments at least, sounded like it had the potential to be a classic. As the jam ended Marc spotted it and seemed suitably blown away by what they had possibly just created, Norah was less interested merely asking with a touch of incredulity “do you want to finish it?” It makes you suspect this kind of thing must happen to her all the time when improvising with fellow musicians, like this is in her DNA and not an especially big deal. Anyway, the two of them quickly moved on and maybe that is where their classic co-write will remain forever? That clip has not been put up on YouTube but from the same episode we do have their slightly unhinged closing, funky jam…

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