Fresh Juice

Fresh Juice 6th April 2026

Teddy Thompson – So This Is Heartache

It must be tough being the son of a music legend, trying to establish a career and identity of your own. Teddy first emerged over twenty-five years ago in the shadow of father Richard, and for a while looked like he might be forever living in the shadows of his relative. But over the years Teddy has wrestled this problem to the ground in the best possible way, by repeatedly writing very good songs in a specific kind of UK Americana vein that, by this point in 2026, have seen him built up a very credible and explorable catalogue of his own. This exemplary take on the classic country heartbreak song, albeit through the filter of someone who has heard Wilco and The Byrds, appears on his forthcoming ‘Never Be The Same’ album which can be pre-ordered here: https://amzn.to/4cqqaaC

Little Barrie – More Bad Miles Of Road

This is totally infectious, a track that is set to appear on Barrie’s forthcoming ‘Gravity Freeze’ album on Easy Eye Sound. It makes me think about that second Stone Roses album, the one they got harshly knocked for at the time because it leant more into electric blues than indie-dance rock but, given time and all the noise around it having dissipating, now just plays like some of the sexiest, bluesy grooving music you have heard in your life. This taps into the exact same vibe which should not come as a surprise because, for many years now, Barrie has been the go to guy for anyone wishing to uncork that impossible to define, plugged-in energy he possesses. He is like a Ronnie Wood for the 21st century with many an act known for having a good ear (from Primal Scream and Paul Weller to Liam Gallagher and The The) calling upon Mr. Cadogan to sprinkle some of his uniquely electric dandelion seeds over their work. The album can be pre-ordered here: https://amzn.to/3PU1qPd

Jalen Ngonda – Doctrine Of Love

This is the title track from an album that is set to be released in June on Daptone Records. One look at the image fronting this clip coupled with all the great retro soul associations you might have with the label might lead you to assume you know what is being delivered here. And whilst there is a lot of truth in that assumption, you cannot casually anticipate just how superbly this is executed. Everything from the tone and energy of the production, that hard-to-nail vintage/modern avenue it exists in, to the “taking it to the bridge” impassioned vocal and craftsmanship that has gone into the writing of this brand new song, gives us a much needed springtime lift that should not be ignored. It was written by Jalen Ngonda himself together with Vince Chiarito and Michael Buckley and the full album can be pre-ordered here: https://amzn.to/48cANLG

Aldous Harding – One Stop

Aldous Harding returns with ‘One Stop,’ the first glimpse of her upcoming fifth album, ‘Train On The Island.’ Due for release on 8 May 2026, the record marks her follow‑up to ‘Warm Chris’ and once again pairs her with longtime collaborator John Parish. ‘One Stop’ sets the tone with a sparse piano motif and a gently shifting, if a little haunted by its own memories, offering which gives us a characteristically enigmatic entry point into the new album. The album can be pre-ordered here: https://amzn.to/3Q2DZmP

Low Cut Connie – Livin’ In The USA

I am pleased to find that it is not just the old guard of Bruce Springsteen and Neil Young (as great as they are) reflecting on life in America today with a critical, questioning eye whilst maintaining a hope that maybe a brighter day will come. That Low Cut Connie do it with such a natural, bluesy bar-band swagger only adds to the authenticity. Furthermore, the ease of the songs structure lends it really strong anthem potential in much the same way that ‘Born In The USA’ evolved but the big difference here is the tragedy of the tale is not deflected by fist pumping. No, with ‘Livin’ In The USA,’ this increasingly vital band are inviting us to share a lament over a cold beer before slapping us on the back and saying “OK, let’s keep going.” The new album is available for pre-order here: https://linktr.ee/lowcutconnieofficial

Deadly Spirits – Can’t Take It

We finish this week with some scorching new garage rock on 7″ vinyl released on the Rogue Records label. There is nothing borrowed in the sounds these Swedish renegades are playing, for me it is the noise made by EDM and autotune fodder that instantly sounds dated, something played with this kind of intent just enters the realms of the timeless. That organ riffing alone, used so potently by the likes of ? And The Mysterions right through to the Inspiral Carpets, is enough to pin your ears to the wall; Deadly Spirits are paid in full members of the ‘Get Primitive’ form of rock/pop energy and they know exactly how to deliver. With a black vinyl record and Sixties Beat sensibilities all over the cover art, what is not to like? Do yourself a favour and get this one pre-ordered right here: https://roguerecords.bandcamp.com/album/cant-take-it

Standard
Fresh Juice

Fresh Juice 13th October 2025

Flock Of Dimes – Long After Midnight

We begin this week with a delightfully simple video idea that is startlingly effective alongside the lyrical premise of the song. In ‘Long After Midnight’ singer Jenn Wasner is caressing a gentle acoustic ballad in which the narrator is willingly giving everything she owns in an unshakeable loyal commitment to an ailing loved one. Viewed here, we see her offering these caring gestures whilst behind her the room is stripped bare, piece by piece, of belongings and furnishings. Jenn’s Flock Of Dimes project, which she has maintained alongside her indie duo Wye Oak, has long been a font for personal and musically bold exploration and so the new album from which this comes, ‘The Life You Save’ out now on Sub Pop Records, brings a sonically warm and personable new chapter to the project and is well worth a deep listen.

David Byrne – Everybody Laughs

David Byrne’s post Talking Heads solo career has seen many sudden gear shifts and changes in direction. His art-rock leanings have ensured he would remain an artist uncomfortable with sitting still or falling into a repetitive routine. Despite this though, he cannot shake that knack of his for creating a slice of celebratory, genre-defying and downright catchy pop such as this. It is to be found on the essential new album, his first in seven years, ‘Who Is The Sky?’ Every now and then in the career of an art rocker (I’m thinking of albums like Peter Gabriel’s ‘So’ or David Bowie’s ‘Let’s Dance’) they put out an album with the intention of catching some mainstream attention, these are often surprisingly pleasurable listens. David Byrne may just have pulled that punch here, for the album is overflowing with melodious ideas and electrifying musings. That is what we hear on this one, an insistently bouncy number that runs through a shopping list framework of shared human experiences.

Walter Trout – Sign Of The Times

In a career that spans five decades Walter Trout has deservedly earned a reputation as one of the electric juggernauts of blues music. With a deep solo catalogue but also an impressive collaborative CV that has seen him shine during stints with Canned Heat and John Mayall’s Bluesbreakers (stepping into shoes previously filled by legends Eric Clapton, Peter Green and Mick Taylor), Trout deserves his place in the pantheon of modern day blues elder statesmen. That firecracker style of his is still blazing as it takes aim at the disconnect in a modern day society with their heads buried in screens, apparently oblivious to the wider world around. This is also the title track from Walter’s newly released album which is one of the strongest collection of new songs you will find in 2025. It features lyric writing contributions from his wife Marie all of which help shape an emotional core in tracks responding to the external chaos and internal battles we all feel living in these modern times.

Wednesday – Bitter Everyday

It is not only the older generation who are feeling disillusionment these days. Now already up to their sixth album, the newly released ‘Bleeds’, Wednesday sound typically punch drunk and cheesed off on this crunching highlight from the record. Frontwoman Karly Hartzman does seem to have definitively found her writing voice on the last two Wednesday albums and it is with good reason their “Wednesday creek rock” sound is beginning to win some wider acclaim and recognition. Still, the band are not without inner turmoil with some line-up changes; they were possibly a little wrong footed by the rising solo career of MJ Lenderman over the past couple of years. He remains a studio member but will no longer be touring with the band. Still, despite these bumps in the road, they sound more determined and likely than ever to break on through.

The Onlies – You Climb The Mountain

There is swingin’ old-time string band action aplenty from the US right now too, here in the hands of some lively young pickers, pluckers and slashers named Vivian Leva, Leo Shannon, Riley Calcagno, and Sami Braman. ‘You Climb The Mountain’ is the bands fourth album, although the first two were recorded before they could drive. They are all 27 years old now but got their start twenty years ago, with Vivian drafted in on guitar ten years later, as a kid band; this might be a clue as to why their playing is so tight and infused with passion and feel, what with two decades of practice and refinement behind them. The bands Riley says that “there’s a careful balance between crazy intensity and melancholic peace, I like that both of those exist on the album.” This pulsating, string-laden steam train of a modern folk and bluegrass album is out now.

Jalen Ngonda – All About Me

Finally this week are some sumptuous new laid-back vintage reggae vibes from soul singing supremo Jalen Ngonda, released on Daptone Records. He is joined by veteran keyboardist and producer Victor Axelrod and the pair wrote the lyrics then recorded the vocals all in one night. It already has the aura of a reggae classic to it, the song is a direct pitch for entry into the catalogue for bragging and self-aggrandisement songs. With lyrics like “I may cloud up your day, yet I light up your night and by the morning I make you feel alright” there is no modest humility being portrayed by Jalen here, it is a peacocking strut in every sense and he nails it with his vocal. The genius in the performance is appearing in the final verse, for all his posturing and bravado, there is a little crack in Ngonda’s voice that tells you, he really wants this. This may well be a new route away from the Motown sophistication Jalen has previously shown, but it is no less wonderful for it, so dig in.

Standard