Fresh Juice

Fresh Juice 1st June 2026

The Coral – Let The Music Play

It is always a welcome return when The Coral announce new music and their latest album ‘388’ was officially released last week, following a low‑key, physical‑only rollout through independent record shops across the UK. It is the band’s thirteenth studio album, led by this single ‘Let The Music Play.’ The record draws heavily on the sound and spirit of vintage reggae and dub cassette tapes, while still carrying the group’s familiar blend of psychedelic rock, melody, and wistful escapism. Frontman James Skelly describes the single as an ode to the battered Wailers and Lee “Scratch” Perry tapes they used to pick up in second‑hand shops, music that made sense when the world did not. You can buy the album via this link: https://amzn.to/4wY12jF

Trashcan Sinatras (featuring Tracyanne Campbell) – Bad Husband

This bittersweet ballad brilliantly pairs the vocal of Camera Obscura’s Tracyanne with Francis Reader’s tender phrasing on a lead single from the band’s first album in a decade entitled ‘Ever The Optimist,’ due on the 31st July. The song finds Trashcan Sinatras in wry, melodic form illuminating a relationship wobbling between regret and reluctant hope. Their voices intertwine with a lightness that belies the song’s catalogue of missteps, turning self‑reproach into something unexpectedly buoyant. As bright guitars and primary‑coloured pop flourishes lift the mood, the track reveals its true charm: a heavy hearted duet that treats emotional weather systems with humour and grace, not to mention a defiant sense of joy. You can order yourself a copy of the album here: https://amzn.to/4u7yZfh

Lime Garden – All Bad Parts

This is a live clip from last year but the song has very much been making its mark this year, especially with strong radio airplay, especially on 6Music. It was a standout track on the bands second album ‘Maybe Not Tonight’ and found them distilling a turbulent stretch of life into a sharp, hook‑bright pop song that masks its bruises beneath a restless bounce. The track moves with the jittery energy of someone trying to outrun their own worst impulses, its melodies tugging between exhilaration and unease. As the band lean into the tension between surface gloss and inner turmoil, the song becomes a portrait of coping through motion; dancing through the mess, even when every step threatens to give something away. You can order the album via this link: https://amzn.to/4wRjc6F

Mclusky – As A Dad

Mclusky released the mini‑album ‘I Sure Am Getting Sick Of This Bowling Alley’ digitally on the 20th March via Ipecac Recordings, with vinyl editions arriving this month. This song barrels forward with the kind of crooked swagger only Mclusky can muster, turning domestic absurdity into something loud but also oddly triumphant. The track lurches between sardonic self‑assessment and full‑throttle riffing, as if trying to make sense of the roles we inherit and the ones we blunder into. Beneath the noise and the grin, there is a flicker of recognition, an acknowledgement that growing older does not necessarily mean growing wiser, but it does give you better material to shout about. The physical (or digital) version of this release is available to buy here: https://amzn.to/4uz69oZ

Lambrini Girls – Cult Of Celebrity

More high energy and crunching guitar work is to be found in this next track, which the Lambrini Girls recently released as a stand alone, download only release. It finds them sharpening their already feral punk instincts into something even more caustic and theatrical. ‘Cult Of Celebrity’ tears into the grotesque spectacle of fame with the band’s trademark mix of humour, fury, and razor‑edged social commentary. Its two‑minute blast of noise‑punk feels like a pressure valve snapping or an attack on the hollow rituals of modern notoriety delivered with the Brighton trio’s unfiltered bite. There is a sense that they are pushing their sound into even bolder, more confrontational territory. You can get the download right now via this link: https://amzn.to/4xeTQ35

Chloé Antoniotti – Mangata

We close with a sharp change of pace and turn to some pastoral, melodic beauty in the shape of this ice cool instrumental serenity. Antoniotti is a French composer and pianist who released the EP ‘Mana’ on Cinq 7 / Wagram Music earlier this year. The piano lines in this piece seem to shimmer and recede like moonlit water. Antoniotti’s compositional clarity is front and centre: she favours restraint over flourish, letting harmonic shifts and subtle textural details carry the emotional weight. The result is a work that contains both intimacy and expansiveness, a small, self‑contained world shaped with precision and a painter’s sense of light. You can download the EP via this link: https://amzn.to/4a3vjnp

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Fresh Juice

Fresh Juice 12th January 2026

Carson McHone – Idiom

Welcome back and happy new year to all. I am starting the Fresh Juice feature for 2026 with half a dozen selections that I did not squeeze in during the 2025 editions. Kicking the year off, it is Carson McHone whose ‘Pentimento’ album was released in the autumn on Merge Records. Now based in Ontario, Canada, this was McHone’s fourth solo album in ten years of releasing records created in collaboration with Daniel Romano. It is a real audacious treat of a folk-rock album, ram-packed with the kind of structurally strong songwriting that stands shoulder to shoulder with the giants of the genre, but also infused with a mysterious alien spirit that lends the record an air of the unknown, like a broadcast from another star. This is superb.

Mclusky – People Person

Returning in 2025 with their fourth LP record and their first album in twenty years were late 1990’s, early 2000’s noise-punkers Mclusky. The record ‘The World Is Still Here And So Are We’ was released via Mike Patton’s Ipecac Recordings and locked straight back into the abrasive style they were always known for. Front man Andrew “Falco” Falkous continues to bring the noise but not without some regrettable toll on his hearing. Of the above track he said it’s “the song that gave me tinnitus, so asking me about it is really cruel. it’s probably about being overwhelmed by the world because that’s what all of our songs are about.”

Jon Cleary – Zulu Coconuts

This may not be the music to suit the weather on this snowy January morning but then again, perhaps this is exactly what we need. I defy you to listen without tapping your foot at the very least, but a hip swaying frug across the floor would be far more appropriate. Maybe if Jools Holland’s ‘Hootenanny’ had booked Jon Cleary instead of the friggin Kooks I might have seen the new in with a smile rather than a grimace. This song had actually been doing the rounds for a couple of years but finally got an LP release in 2025 on Cleary’s ‘The Bywater Sessions’ album. At the New Orleans Mardi Gras, the Zulu Parade takes place on Fat Tuesday and this innuendo laced song is a nod to the prized hand-painted coconuts thrown to crowds during the parade.

Sam Shackleton – O Death

As featured on his independently released 2025 album ‘Scottish Cowboy Ballads And Early American Folk Songs’, this brief home recording offers a tantalising taste of the authenticity in Shackleton’s music. He says of this that it is “on the banjo by the fireplace at my mother’s house on the lovely Isle of Harris, Scotland. This is a great American folk ballad and is commonly sung in the Appalachian region, where it descends from much older Scottish and English folk ballads carried there by the many thousands of emigrants that made the long voyage. I really hope you enjoy.”

Ben l’Oncle Soul – I Got Home

This was a wonderous, funky single taken from l’Oncle Soul’s seventh album released in 2025 called ‘Sad Generation’. It was a real-deal slice of retro soul that wore its classicist’s style with pride safe in the knowledge that the track is a killer that would grace any dancefloor. Ben is a French soul singer from Tours who is nothing new to attention grabbing cuts; he previously turned heads in 2010 with a cover of The White Stripes ‘Seven Nation Army’ and has built a deserved acclaimed reputation as a live performer who can deliver the Motown and Stax goods with a modern day cut and thrust.

Snarky Puppy & The Metropole Orkest – Chimera

Recorded live in January 2025, at KABUL à GoGo in Utrecht, The Netherlands, this is an addictive rendition of a piece from the album ‘Somni’ released on GroundUP Music. This was the second collaborative release between the award winning jazz collective and the Metropole Orchestra following the 2015 Grammy winning project ‘Sylva’. Bandleader Michael League had composed a deep, progressive even, piece that certainly warranted the grand cinematic treatment a full band and orchestra arrangement offers. ‘Somni’ could perhaps be called a concept album, exploring as it does the various dream stages of sleep in a sequential order that runs from falling to sleep to waking up. But, to be clear, this brilliant music will not make you nod off, quite the opposite.

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