Fresh Juice

Fresh Juice 12th January 2026

Carson McHone – Idiom

Welcome back and happy new year to all. I am starting the Fresh Juice feature for 2026 with half a dozen selections that I did not squeeze in during the 2025 editions. Kicking the year off, it is Carson McHone whose ‘Pentimento’ album was released in the autumn on Merge Records. Now based in Ontario, Canada, this was McHone’s fourth solo album in ten years of releasing records created in collaboration with Daniel Romano. It is a real audacious treat of a folk-rock album, ram-packed with the kind of structurally strong songwriting that stands shoulder to shoulder with the giants of the genre, but also infused with a mysterious alien spirit that lends the record an air of the unknown, like a broadcast from another star. This is superb.

Mclusky – People Person

Returning in 2025 with their fourth LP record and their first album in twenty years were late 1990’s, early 2000’s noise-punkers Mclusky. The record ‘The World Is Still Here And So Are We’ was released via Mike Patton’s Ipecac Recordings and locked straight back into the abrasive style they were always known for. Front man Andrew “Falco” Falkous continues to bring the noise but not without some regrettable toll on his hearing. Of the above track he said it’s “the song that gave me tinnitus, so asking me about it is really cruel. it’s probably about being overwhelmed by the world because that’s what all of our songs are about.”

Jon Cleary – Zulu Coconuts

This may not be the music to suit the weather on this snowy January morning but then again, perhaps this is exactly what we need. I defy you to listen without tapping your foot at the very least, but a hip swaying frug across the floor would be far more appropriate. Maybe if Jools Holland’s ‘Hootenanny’ had booked Jon Cleary instead of the friggin Kooks I might have seen the new in with a smile rather than a grimace. This song had actually been doing the rounds for a couple of years but finally got an LP release in 2025 on Cleary’s ‘The Bywater Sessions’ album. At the New Orleans Mardi Gras, the Zulu Parade takes place on Fat Tuesday and this innuendo laced song is a nod to the prized hand-painted coconuts thrown to crowds during the parade.

Sam Shackleton – O Death

As featured on his independently released 2025 album ‘Scottish Cowboy Ballads And Early American Folk Songs’, this brief home recording offers a tantalising taste of the authenticity in Shackleton’s music. He says of this that it is “on the banjo by the fireplace at my mother’s house on the lovely Isle of Harris, Scotland. This is a great American folk ballad and is commonly sung in the Appalachian region, where it descends from much older Scottish and English folk ballads carried there by the many thousands of emigrants that made the long voyage. I really hope you enjoy.”

Ben l’Oncle Soul – I Got Home

This was a wonderous, funky single taken from l’Oncle Soul’s seventh album released in 2025 called ‘Sad Generation’. It was a real-deal slice of retro soul that wore its classicist’s style with pride safe in the knowledge that the track is a killer that would grace any dancefloor. Ben is a French soul singer from Tours who is nothing new to attention grabbing cuts; he previously turned heads in 2010 with a cover of The White Stripes ‘Seven Nation Army’ and has built a deserved acclaimed reputation as a live performer who can deliver the Motown and Stax goods with a modern day cut and thrust.

Snarky Puppy & The Metropole Orkest – Chimera

Recorded live in January 2025, at KABUL à GoGo in Utrecht, The Netherlands, this is an addictive rendition of a piece from the album ‘Somni’ released on GroundUP Music. This was the second collaborative release between the award winning jazz collective and the Metropole Orchestra following the 2015 Grammy winning project ‘Sylva’. Bandleader Michael League had composed a deep, progressive even, piece that certainly warranted the grand cinematic treatment a full band and orchestra arrangement offers. ‘Somni’ could perhaps be called a concept album, exploring as it does the various dream stages of sleep in a sequential order that runs from falling to sleep to waking up. But, to be clear, this brilliant music will not make you nod off, quite the opposite.

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Fresh Juice

1st May 2023

Cat Clyde – Everywhere I Go

Brilliant opening track from the new ‘Down Rounder’ album released on her own Second Prize Records label. It is a record that has to be one of the most immediately enjoyable, familiar yet fresh records in a folky / country vein that I have come across in recent times. As this live version shows, Cat has a street wise edge to her delivery, a laid back nonchalance with a cutting edge and I strongly recommend checking out ‘Down Rounder’ for the highlights are many…

Miss Grit – Follow The Cyborg

Performing a new arrangement of the title track of their debut album, here New York based musician Margaret Sohn is incorporating strings and a strong visual aesthetic. The album is entirely self produced and the favourable influence of an artist like St Vincent is hard to ignore, particularly in the presentation style, the arch fusion of the melodic and electronic not to mention the fuzzy disturbance caused by the excellent guitar solo played here. Miss Grit is taking an already modernist sound and shaping it to their own vision with panache…

Night Beats – Hot Ghee

This band, the grungy kaleidoscopic vision of singer and songwriter Danny Lee Blackwell, are clearly not letting go of any momentum. It was in 2021 that I rated their ‘Outlaw R&B’ LP as one of my albums of the year, you can read my piece on that record here: https://fruit-tree-records.com/2022/09/28/night-beats-outlaw-rb/ ‘Hot Ghee’ is a heady psych storm taken from Night Beats’ new album ‘Rajan’ set to be released on July 14 2023 on Fuzz Club and Suicide Squeeze Records…

Mirna Bogdanovic – Wish I Didn’t Miss You

This is the superb official video for ‘Wish I Didn’t Miss You’ by Mirna Bogdanović from album ‘Awake’ set to be released on Berthold Records on May 12th. The song is probably best known in its original recording by Angie Stone but this version adds a delightful layer of menace and anguish. That is especially captured in this video where Mirna is portrayed torturing herself relentlessly observing the object of her emptiness as they move on to new beginnings in life whilst she remains weighed down with hurt and obsession. Powerful stuff amid a tasty new arrangement…

Sam Shackleton – Pretty Saro

Folk ballads are made to be sung and passed through generations but it takes a special kind of talent to inhabit them and make them breathe in the authentic way that Scottish singer Sam Shackleton does. He says of this busked performance from earlier in the year, “this was filmed in the courtyard of the Old College of the University of Edinburgh which dates back to the 1700’s. This place is very familiar to me and I was here many times during my 5 years studying ethnomusicology and folklore at this lovely university – I even took exams here! But now I’m back here playing my own Scottish version of this beautiful English folk ballad which also dates to the 1700’s. This song disappeared in England and Scotland but was later re-discovered in the musical folk tradition of the Appalachian mountains – carried there by early English and Scottish immigrants”…

Meshall Ndegeocello – Vuma

I will conclude this edition of Fresh Juice with a giddy, groovy slice of Africana that feels so right to welcome in the sunnier days ahead (weather wise at least). This is from Meshell’s new album, ‘The Omnichord Real Book’, which is released on Blue Note Records. That is a tantalising combination for the German born, American singer and songwriter once credited with helping to start the neo-soul movement and the legendary label famed for its quality releases and for remaining the first port of call for anyone investigating Jazz music now or any time over the past sixty or seventy years…

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