Fresh Juice

Fresh Juice 15th June 2026

Yea-Ming And The Rumours – Sweet Opiate

This track is one of the new ‘Residue!’ albums quietest gut‑punches, a song that distils Yea‑Ming Chen’s gift for turning heartbreak into something soft‑glowing and strangely companionable. Where the album leans into late‑night melancholy and sun‑bleached solitude, this track feels like the ache sharpening into clarity, a confession whispered to no one in particular, carried by her feather‑light delivery and the Rumours’ gentle, unhurried sway. This is the kind of song that lingers long after it ends, proof that Chen’s ability to make sorrow feel luminous remains entirely her own. You can get the album here:https://amzn.to/3QdaYFF

Pokey LaFarge – Rent Money

The title track of Pokey LaFarge’s forthcoming album lands with the swagger of someone who’s seen the bottom of the barrel and learned to dance on it anyway. Out September 11th 2026 on Boxer Boy Records, the song distils his gift for turning hard luck into high style: a loose hipped groove, a grin behind the grit, and that unmistakable mix of street corner charm and spiritual reckoning he’s been honing for years. This might just be LaFarge holding a mirror to the scramble of everyday survival but doing it with enough warmth and wit to make the struggle feel strangely buoyant. It is a sharp, soulful teaser for a record which can be downloaded via this link: https://amzn.to/4vc6s9E

The Killing Floors – Se Fue, Se Fue

Well, there is no getting away from the fact that I am a sucker for authentic garage rock sounds and they do not get much more straight down the line, pure and honest as this. Everything is right about the delivery right down to the vintage TV appearance style setting for the video. But something I have said many times with acts that lean into this style, I could not care less for the dressing up box attention to detail if the music is nothing more than pastiche, but when a band gets it right with conviction as the Killing Floors do here, that garage band sound is a thing of ageless beauty. It is from the new album of the same name which can be purchased via this link: https://amzn.to/4fEvs4o

Coup Dur – Mon Amie

This ear-worm tune opens Coup Dur’s debut EP with a jolt of immediacy; the kind of first track that makes clear this new project arrives dressed for success. Released on 62 Records and Precious Recordings of London, the song lays out the duo’s aesthetic in sharp relief, a lean, melodic, and charged sense of intimacy that has the effect of being both inviting and slightly off kilter. It is an arresting introduction, the sound of a band stepping into the light with purpose and this stylised video serves their aesthetic well. You can get the five-song album featured in the video via this link: https://amzn.to/4e81VPl

Wooden Overcoat – Finally Arrived

This track gives the first real glimpse of Wooden Overcoat’s dream drenched interior world, a slow motion swirl of gooey guitars and deliberate, heartbeat heavy drums that pull the listener into a trance. Francesca Bonci’s accompanying video deepens the spell, her distinctive visual language amplifying the song’s mix of personal mourning, romantic tension and a wry side eye at the myths of stardom. It is a modestly gripping moment of intimate disorientation, steeped in the fragile beauty of human connection. The bands debut ‘Hello Sunbeam’ EP is available through this link: https://wooden-overcoat.bandcamp.com/album/hello-sunbeam

Knats – Never Gonna Be A Boxer

This track shines on the ‘A Great Day In Newcastle’ album with the kind of kinetic confidence that has made Knats one of the UK’s most talked‑about new jazz outfits. Led by bassist Stan Woodward and drummer King David‑Ike Elechi, the track channels the band’s live‑wire energy into a sharp, swaggering statement of intent. This is rhythmically restless, melodically sly, and presents with a sound that is entirely their own. This is a standout moment from a group already earning serious acclaim, and a reminder of why their rise has felt so rapid and so deserved. You can get your hands on the CD via this link: https://amzn.to/446iW6F

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Fresh Juice

Fresh Juice 30th March 2026

Konyikeh – Mercenary

Let’s commence this week with a voice that is being touted as the next UK based soul star to watch out for. ‘Mercenary was released via FAMM in late February 2026, the single following the momentum of Konyikeh’s October track ‘Vulnerability’ and arrives just after her second sold‑out headline show at London’s SJQ. It opens with urgent guitar lines and drums that feel expansive yet tightly controlled. She threads in influences that sit outside her more immediately recognisable palette, drawing on Arabic scales, Gqom, and Amapiano to build a world that feels both cinematic and soulful. Her vocal delivery stays precise and poised, while the harmonies swirl with an eerie, filmic tension. You can find a download here: https://amzn.to/3NIRUOj

Diyet & The Love Soldiers – Give Me A Reason (Acoustic)

This is the first single from Diyet & The Love Soldiers new acoustic EP being released to coincide with their latest tour. ‘The Seeds Of Dreaming’ is a companion release to last year’s full‑band album of the same name. Due out on 17th April 2026, the EP gathers five re‑worked tracks from that 2025 record, presenting them in raw, single‑take performances that highlight the emotional grain of Diyet’s voice and the trio’s close‑knit musicianship. Diyet was born and raised in the Kluane region of the Yukon, she carries Indigenous, Japanese and European heritage, writing and singing in both English and Southern Tutchone. The music she makes with her band touches the meeting point between ancestral knowledge and contemporary life, shaped by her return home after years in Vancouver’s publishing world. Find out more via this link: https://diyet.bandcamp.com/

John Craigie – Dry Land

One of my favourite songwriters of modern times, John Craigie is captured here in a live clip performing a new track from his latest album ‘I Swam Here.’ He is exploring gentler tones on this album (which will be getting the full length review treatment on these pages very soon) as the troubadour from Los Angeles, often described as in the lineage of Woody Guthrie and Ramblin’ Jack Elliott, boldly broadens his song palette. His blend of wry humour, road‑worn narrative writing, and acoustic intimacy has become his signature but to put it in straight talking terms, John Craigie is a very fine songwriter and performer. Find out more and get a copy of the album this way: https://johncraigie.com/

Green-House – Under The Oak

This haunting, ambient-adjacent piece by Green-House is from the ‘Hinterlands’ album on Ghostly International. The album treats ambient music like a living ecosystem; lush, breathing, and quietly radical. Their sound folds field recordings, soft-focus synths, and a deep ecological sensitivity into a world that feels both restorative and subtly adventurous. Watch these pages over the coming days for a full length feature on the album, ahead of that you can get a copy of ‘Hinterlands’ via this link: https://amzn.to/4lTy3IK

Wooden Overcoat – Home

Based in Portland’s hazy melting pot of musical wonders, psychedelic pop outfit Wooden Overcoat unveil ‘Home,’ a shimmering, reverb‑soaked single that drifts like a sanctuary built from haze and heart. Its trippy visual companion comes from Italian multi‑arts visionary Francesca Bonci, framing Brant Hajek’s reflection on beauty that can’t quite hold; two people paired as naturally as elements in the wild, slowly decomposing, self‑destructing, and still reaching for each other in the glow. Find out more about this incredible debut release here: https://wooden-overcoat.bandcamp.com/track/home

The Maharajas – Just Drink Wine

Ending things with a bang this week, we have The Maharajas kicking the door in with ‘Just Drink Wine,’ a blast of pure Stockholm swagger that reminds you why they’ve been Europe’s most dangerous garage‑rock lifeline for three decades. Their formula is still lethal: fuzz guitars that snarl, drums that hit like a bar‑fight heartbeat, and vocals that sneer with the kind of conviction you can’t fake. They’re not trading on nostalgia, they are living the 1960s spirit in real time, turning raw R&B, beat grit, and high‑octane attitude into something that still feels volatile, stylish, and gloriously unpolished. It’s the sound of a band who never stopped believing rock ’n’ roll should be loud, sweaty, and a little bit reckless. You can get it right now by following the link: https://amzn.to/4s2mYXl

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